Drawing inspiration from the surreal context of 《The Dream of the Red Chamber’s Illusory Land of Great Void》 and 《A Thousand Li of Rivers and Mountains》, the work explores the dialectics of reality and illusion encapsulated in the maxim “When false is taken for true, true becomes false”. Fractal algorithms and multi-layer material generation systems shape mountain and river landscapes, breathing perpetual dynamism into static ancient scroll paintings. Embedded with the transcendental imagery of the Great Immortal and the Void Hermit from The Dream of the Red Chamber, it constructs a digital fairyland hovering between reality and delusion.

受红楼梦中太虚幻境和千里江山图中魔幻现实的语境所启发，探寻“假作真时真亦假，真作假时假亦真”的虚实辩证。依托分形算法与多重材质生成机制塑造山水地貌，让静态古画拥有流动、不断生成的动态生命。画面暗含《红楼梦》“茫茫大士、渺渺真人”的出世意象，打造一处介于真实与虚妄之间的数字仙山。